• Katie Glass //
  • Digital girl, people person. This is my blog of all the interesting things I come across. For my writing, visit my website //
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We are all social animals

On Thursday I went to go see David Brookes talk at the wonderful establishment that is the RSA.

He argued that our society has inherited a view of ourselves that we are divided selves, with reason on one side and passion on the other. And yet, the conclusion of his extensive research is that isn’t the way we should be thinking.

His mains points were: 1) In contrast to the wild, passionate unconscious that Freud imagined, Brookes believes the unconscious is intelligent and organised. 2) Emotions are not separate from reason, emotions are the foundation of reason. They tell you what to value, for example. 3) We are not autonomous creatures - we are deeply interpenetrated.

As such, the rational philosophers of Europe could be said to be wrong - the key to life lies not in rational thinking but in social empathy and emotional intelligence. Indeed, Brookes gave the example that if we were to write down the difficult decisions we make in life, explaining what we decided and why and then burying the paper for six months, when we re-read the explanations, the reasoning for the decision is actually probably irrelevant.

Of course, the fact that we are social animals may not be that surprising. However, what is significant about Brookes is that he is focusing this research-based philosophy on political policy and also a way of looking at the world. It is easy to agree that we make emotionally-motivated decisions but it is also very easy to forget this.

By remembering the fact that we are all human and have similar hopes, dreams, wants and needs, we can be more attuned to effective decision-making.

I think emotional intelligence is so important - this can be drawn into marketing as well. It doesn’t matter if you have a great product - if you cannot connect it somehow to a human emotion, it has limited value. By remembering that we are social animals therefore we can be successful in life and in business.

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I popped over to Fitzrovia for the opening of the Hanmi Gallery on Maple Street this evening. Their first exhibition is a show entitled Situated Senses 01: Inclined Angles which presented an experimental form of artwork closely related to the specific feature of a space which differs from the typical form of exhibit space.  Situated Senses artists Shan Hur and Soon-Hak Kwon utilised the unfinished nature of the building to play with the floors and walls. They literally created inclined angles by pulling up the floorboards and fixing them at an angle. They also took photos of the interior and hung these in positions which gave us an impression of the space, but from a slightly different position - the gallery was interesting, exciting and inspired a bit of playfulness (see pictures!) The exhibition runs from 20th May til 5th June. 
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I went to the Carnaby Street 20% shopping night yesterday - the whole thing was a load of fun - free cocktails and deep fried oysters (yum).
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I managed to pop down to Shoreditch tonight to see my friend Harry Harris play at Roadtrip on Old Street. (Here’s a pink photo of him).
Last time I saw him was literally years ago now, at St Catherine’s Docks in East London and he was a nervous fresher, just starting out as a musician in London. I don’t want to bring out all the cliches that the music industry seems to love, like how he has matured stylistically, but I would say that the change was very apparent. 
In contrast to the boy I saw those years ago, I got to see a man tonight who confidently charmed his audience, telling us little anecdotes about how skanky the Amersham Arms is and how we should probably go visit the Transport For London Museum.
There was actually something very quirky and wonderfully London-based about his set which I really enjoyed. Harry treated us to songs about Victorian coach drivers worried about the popularity of the underground and explored the depressing lives of has-been sound men. I tried to pick a favourite but I couldn’t.
Harry is such a lovely guy and his passion really shines though. I really hope he makes it - he deserves it. Check out one of my favourite Harry Harris songs here.
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People who get on in this world are the people who get up and look for the circumstances they want and if they can’t find them, make them

— George Bernard Shaw
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Shesays Scamp 2011

Last week the lovely Shesays ladies held their annual Scamp event at Lbi. This year, the theme was ‘mashup’ and they certainly ran with it! The day covered a range of speakers talking about everything from digital art to urban food production.

Anjali Ramachandran was first up and argued that whatever you do - KEEP IT SIMPLE. You should be able to explain your idea in 30 seconds or less.

She presented the Hollergram from MadebyMany as a great example of how ideas which bridge the gap between the digital and analog world can be very successful. The hollergram essentially makes the iPad analog by allowing users to create short statements which they can hold up at meetings, conferences or even festivals to quickly broadcast what they want to say to a big group.

I love this idea, as for me this is what digital is all about - it is here to enhance or interaction in real life and if this can be done in a playful way, so much the better.

Anjali cautioned that you need to understand WHY people will use the service you want to provide - you can’t just do something because it looks good!

Tom Uglow from Google (rather unsurprisingly!) was a big hit. He gave us the low-down on how Google has developed in the last few years and months and explained how the acquisition of YouTube has affected what they are doing. They’re using YouTube as a way to connect people around the world, doing things like YouTube Symphony which enabled musicians from loads of different countries to audition for an orchestra by submitting videos of themselves on the site.

The YouTube Symphony project is a great example of how social media can actively encourage interaction and participation. Tom said that millions of people watched a live classical performance through YouTube and yet, the audience wasn’t that into classical music and the orchestra wasn’t even that amazing! So why did they watch? Because it was packaged well.

This project also revealed that in regards to any idea, there are different layers of audiences who want to engage in different ways. Some users will want to actively participate, whilst others are actively interested in that interaction but do not want to take part in it themselves. Once we understand this, we can package an idea in order to ensure that these different levels of audience participation are available to users.

His talk is available at http://goo.gl/QCDy4

Our key speaker was Nicola Mendelsohn who, shockingly, is the first female president in the IPA’s 90 year history. She argued that ‘our world is no longer linear or predictable’ and that in fact, ‘the only thing we can prepare for is unpredictability’.

With that in mind, she argued that it was important to ensure that the future generations had the best help in starting their careers in adland. She announced various collaborations the IPA is working on, including ones with Google, Facebook and the BBC. I’m somewhat sceptical. Anything that is trying to help out us grads is great, but their approach appears somewhat institutional - their event with Facebook about social media training for example is only available to IPA members. I wonder how many recent graduates are IP members?!

Rant over, the whole day was great - as usual - and left my brain buzzing with fabulous, fantastical images and ideas.

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Axonometric - Yun-Kyung Jeong
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Axonometric - Yun-Kyung Jeong
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Axonometric - Yun-Kyung Jeong
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Last night I went to the opening of the Sumarria Lunn gallery in Mayfair, run by the surprisingly young Will Lunn and Vishal Sumarria.

For their opening exhibition, they are displaying Yun-Kyung Jeong’s ‘Axonometic’ - a collection of paintings  “best understood as representations of utopia”.

At first sight, I wasn’t too excited by these beige and brown constructions, but upon closer inspection, they began to interest me more and more.

Yun-Kyong’s architectural approach to painting reminded me of an Esher in the way that it is reminiscent of buildings in some fantasy land.

Painted on canvas and silk, her work is both raw and sophisticated. In some places, she uses pencil, exposing the canvas underneath whilst in other works, different shades of paint are layered upon each other to create interesting textures.

In the accompanying art bumpf, we are told that “with a power to fortify our perception of the world around us, in it’s most basic form axonometric perspective taps into our desire to see more, touch more, experience more.” I like this idea. There is a depth to the paintings that means you have to stop and study them for a while - it is only when you do this that you see emerging patterns and shapes.
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